Art by tumblr user @ain-individual
Chinese folklore contains multitudes of monsters, ghosts and other supernatural creatures, commonly called demons by Western culture. European traditions, dominated by Christianity list much of its grasp of interstitial or transitory dimensions- world’s in between good and evil. Consequently, many tales of earthbound spirits and non-human entities do not translate, and that lack of translation inevitably shifts the stories themselves.In no place is this dilemma more obvious, than in the tale of the Éguǐ, or Hungry Ghosts.
Hungry Ghosts are purported to be the spirits of those too greedy in life. Their inability to ever be satisfied, somehow disturbs the natural balance and order of their souls, triggering a curse that dooms them to wander with ravenous hunger. Most of the more modern versions depict them with mouths too small to take satisfying bites. They prowl alleys and kitchens, searching for offerings or spoiled food. According to the tales, which vary in their grotesquery, they will scour midden heaps, graves, even ashes, just to eat anything they think might sustain them.
These hungry ghosts are portrayed with green or grey corpse-like skin, distended bellies, and skeletal thinness. They can take on gaseous form and wander into homes. But as with most myths, there is a sort of branching off which takes place over time, and over long distances. Myths trapped behind mountains will evolve like an endemic species, and transform yet again.
Consequently, there are nine different varieties of Éguǐ, separated into three classes, along a somewhat difficult concept to translate: means. Depending on what you’ve read, “means” appears to correspond to magical strength or spiritual capital, somehow obtained by the humans who maintain the spirits. Egui are believed to be dead humans, and in cultures that worship ancestors, often the people who pray, offer up food, and so forth, create for the ghost, a kind of strength.
Ghosts of No Means, are known as Wú Cái Guǐ. These include Ghosts with Needle Mouths, who cannot take in enough food or beverages to satisfy themselves, Torch Mouth Ghosts whose mouths appear like flames, and Foul Mouth Ghosts whose breath is disgusting to themselves and any witnesses.
Ghosts of Small Means are known as Shǎo Cái Guǐ .They are punished with physical ailments. Needle Hair Ghosts have hairs like sharp iron needles which torment them but can be used to inflict pain on others. Smelly-Hair Ghosts have spiky hair that exudes a terrible odor, much like their Foul Mouth Ghost brethren. Tumor Ghosts are the most unfortunate of the Small Means class, forced to feed on the oozing pus from their own hideous goiters and tumors.
Ghosts with Excessive Means include Ghosts Hoping ForOfferings, which only keep themselves in existence by feeding on sacrificial offerings, such as ancestor offerings from their unwitting descendants. Ghosts Hoping For Leavings can steal and eat the qi of living beings, and feed on human leftovers. Ghosts of Great Powers are perpetually aggressive and violent.
All of these ghosts have some similarities with Cousins. Simon frequently explains that he is always hungry, seeking for food and never satisfied. The grey skin and skeletal physique common to these ghosts is also familiar. The breath and body odor of a Cousin accustomed to feeding on spoiled food, corpses and offerings would likely be anything but pleasant. The violence and aggression of a Cousin on a feeding spree may account for the legends of powerful ghosts. Even certain features such as Needle Hair may be cases of mistaken identity and physical sensations. The filaments comprising a Cousin’s ‘hair’ are flexible, shiny, and a similar thickness to larger needles. Simon describes being able to cause feelings of unease and dread, which may translate to the well-known feeling of ‘pins and needles’.
The ghosts’ ability to turn into a gaseous form may be explained by the Cousinly ability to project emotional influences over humans and animals, as well as their ability to silently break into and freely wander through homes. While spitting flames isn’t a common ability, it may be explained either by the cleverness of a Cousin employing trickery, or though more unlikely, the growth of bioluminescent bacteria in a Cousin’s mouth. Bacteria which occur naturally on rotting flesh, especially human flesh and seafood are known to emit a phosphorescent glow, and the variety known as Angel’s Glow (P. luminescens) was a common occurrence in wounds of Civil War soldiers.
The known information about Simon and his species do seem to match up very well to legends of the Éguǐ, and it is my conclusion that Cousins do in fact inhabit China, and are direct contributors to the rich history of folklore in the many cultures housed within.
Jill Ford is a freelance editor and grant writer. In her spare time, she works with Simon to manage his social media and organize his otherwise confusing online presence.
As of today you can purchase all the Creature’s Cookbook series, which includes two novels (Let us be honest, the first book is the length of two novels) and a collection of short stories. They are available in every format.
It’s appropriate that these came today:
As I can now begin mailing out your prizes to you–those who won the Halloween challenges!
I hadn’t forgotten, but was merely waiting…
I thought we might try something a little different this time. I do so dislike proving myself, and think that perhaps it isn’t up to me to demonstrate how human mythologies intertwine and overlap. It seems far better to turn it over to you to hash out. So for the foreseeable future, I will turn this series over to two colleagues of mine: an antrhology student and an artist. Perhaps they can make sense of this far better than I.
Hello and welcome to another entry of Monstrous Myths! Blow off the dust and settle in, we’re going for a fun ride.
In a previous post Simon went over the Gorgon, which is a very specific sort of snake monster. Today I’m going to be talking about her distant cousin the Lamia and her place in folklore and ties to Simon’s kin.
Just the lore
The Lamia. A snake bodied seductress best known for her lust for flesh of children. As the purported mother of the famous Scylla of the Odyssey, she is a far more specific beastie with a pedigree. According to myth, Lamia was once the beautiful daughter of king Belus of Egypt who, like every other beautiful woman in Greek myth, fell prey to Zeus’s charms.
This is where her story gets interesting- compared to Stheno, Euryale, and Medusa, there is some historical evidence supporting Lamia being born to actual human parents who were entirely real people. Her father Belus is recorded as having founded a colony on the Euphrates river in Diodorus of Sicily’s Bibliotheca Historica, and while he probably wasn’t exactly as he’s reported (specifically not the spawn of Poseidon and Libya), there is a very good chance he was real and very likely did have at least one daughter. A daughter whose real story has likely been entirely lost to history, though her strange myth lives on.
After being seduced by Zeus, Lamia bore him many children over the course of several years acting secretly as the king-god’s mistress. Eventually Hera discovered their tryst and slaughtered all of Lamia’s children. All but one, a girl cursed into the shape of a hideous creature sent to guard a narrow sea channel with Charybdis. Most myths agree to all the points up to here, but her appearance has been cause for much debate.
Lamia’s now-signature snakelike appearance isn’t mentioned in older Greek stories, and it has been speculated that this deformity is the result of a Christian lense being put over classic myths, specifically with regard to her seductive nature. Lamia’s original deformity is her wide, strange, staring eyes with no lids, said to be a symptom of her guilt over her children’s deaths, and the ability to remove said eyes. Interestingly enough, the second bit isn’t part of a curse, but a blessing bestowed by Zeus to grant Lamia temporary reprieve from her horrible visions and, perhaps, give her the gift of future site. If this is the case, it’s a mythological blessing she shares with the Graeae.
Perhaps the most tragic part of Lamia’s curse is her mad unsated bloodlust for the flesh of small children. Why is debated, but the most popular interpretation of the myths claim that Hera cursed the woman to consume other’s children as punishment after killing Lamia’s offspring, or that Hera stole or killed Lamia’s children and the loss drove Lamia insane. Her madness caused her to steal and devour the children of others, and this eventually turned her into the strange malformed creature of myth.
Relations to Simon’s Species
With a first glance at the modern interpretations of Lamia, its easy to dismiss her as just a silly morality tale and another sexy clone of the snake in Eden. However, as with most myths, the further back you go in time the less recognizable they get. Lamia’s physical appearance is the first tipoff that she’s a relative of Simon. The strange eyes, gaunt appearance and man-eating appetites are especially obvious.
But let’s not forget that there seems to be evidence the Lamia was a real woman.
My humble theory is that the original Lamia was in fact a flesh and blood person with a name and a life, who got unfortunately involved in some sort of politically dangerous romantic tryst. Maybe it was an affair with a married statesman, maybe she was wed and took a lover, maybe her husband died and she was blamed, maybe a lot of things, but in the end her children from whatever sort of union she had were killed by someone involved in the ensuing dramatic episode. My theory is that the killer was Lamia herself, out of shame or guilt to conceal her crime. It’s probably that the number of children was very small and has been gradually inflated over the years for dramatic effect.
Either soon after or during all of this, a local cousin was probably hunting people without much discrimination in age. It’s feasible to guess that a few children went missing due to the monster’s hunger or from other natural causes. People get emotional when children vanish or are mauled by wild animals, and will blame just about anything to avoid confronting the harsh and painful truth. Regardless of how the people vanished, Lamia was likely exiled, executed or managed to escape and her sudden public disappearance poured fuel on the fire. Rumors of her killing her own children trickled down to the general population as they tend to, and one thing led to another. Assumptions were made, connecting this murderess with the disappearances. I can’t imagine this did good things for the local cousins larder.
Everything about Lamia screams “thing that consumes humans”, even her name. Aristophenes claimed the name came from the greek word “laimos” or “gullet” in reference to her insatiable hunger.
One of the most frustrating things about Lamia is her gradual evolution from tragic figure to sexy seductress. Placing the two characters next to each other, neither looks like they are in any way related. Even her propensity for eating children has faded as time has gone on. Modern tellings of the myth have overlapped her with Lilith, and erased any possible sympathy the character might have. A creature who has become an interweaving of a woman who committed a historical crime and a cousin in the wrong place at the wrong time has twisted, as many myths do, to fit the moral narratives convenient to the era of a story’s telling.
Simon’s Take On Things
I think it very possible that Ruth is correct in her theory, with one possible alteration. I will draw attention to the things that I discovered about my species, specifically that we appear to be somewhat incensate when not consuming human flesh. We have a natural state, and while we are clever, we are of the earth. Eating people does something very specific for us. So it seems to me that with this knowledge, several possibilities exists for the evolution of Lamia.
It could easily be true that Lamia either murdered her own children or was the victim of some archaic form of justice. But if any children did go missing in the vicinity, it is unlikely to be the responsibility of a cousin. Sheep, yes. Children, unlikely.
What is most likely?
Well, let us look at the very reason that Laamia is remembered at all. If her father really did found a colony and there is evidence that he did in fact exist, then it is likely that he did have a daughter. If he had a daughter her name would not have been Lamia, as this is her mythical name. Lamia was the monster. And like the gorgon, Lamia was linked with the sea and the serpeant.
But why would anyone care about this young lady? What about her specific story withstood the test of time, even as it twisted and transformed through eons?
Perhaps because there was a local monster, a cousin of mine. Perhaps there were a few in Ancient Greece. Perhaps they were related, or not, but the Greeks seem to have taken an inordinate amount of notice of them, don’t they? Far more than the modern human does. Perhaps because they weren’t so secretive as they are now. Perhaps there was a girl and there was a Lamia, and perhaps they were friends.
Perhaps the story exists today because of the bizarre association they formed. Perhaps the girl had a bargain with the Lamia, and the two became forever tangled. If the mercenary Lamia did the girl’s bidding, and the girl was driven away or put to death, it is a certainty that the Lamia would putlive her, and if the Greeks believed them to be the same individual, the Lamia would forevermore have been confused for the girl and her controversy.
Be careful making bargains with monsters, my gentle readers.
Ruth Gibbs is an anthropology student at the University of North Texas on her way to a PhD in Folklore with a focus on stories and their cultural impact on society. Her interest in the study of stories started very early in life and has blossomed into what promises to be a very interesting academic career. Special fields of interest include Irish, Scottish, Welsh, Germanic and Eastern European stories and their origins. You can find her at email@example.com or on her Tumblr
Recently, I was asked to describe the funniest thing I had ever seen. This is a difficult prospect, as I have seen a great deal and it largely depends upon the onlookers sense of humor.
Dark humor, someone has requested.
Therefore I will tell you the very first story I recall — that of my awakening on this earth (obviously it was not the first time, as my books record, but it is the earliest memories I have that provides the beginning of all the contiguous experience of my mind from thence to now. This is the beginning of “Simon” as it were, for I knew nothing else until recently, after some 7 centuries). Please recall, that because this is my first memory, it is jumbled, is pieced together from a great deal of hindsight, and really was quite a conundrum to me until I had experienced another hundred years of that certain mingled human stupidity and cleverness that alternately undermines and composes your condition.
Some of you recollect that I have mentioned awakening on the shore of the Black Sea in a pool of bloody ooze. I haven’t been much more specific than that, because I don’t know how to be. It is simply what happened. I opened my eyes, and there I was, and I was naked, and there was dirt and blood and I was covered in it. I have mentioned stealing clothes from a plague victim, and that is true, but I haven’t exactly said how that came about. So here we are.
How best to tell it? From the vantage of newly awakened me? Or from the all-seeing eye of modernity? I think perhaps, the funniest way to tell it is how it was lived, though at the time, there was nothing humorous about it. In fact, it was utterly confounding.
I stood up. I had a good sniff. After a bit of sussing, I felt I could tell that there were other living things around me. I felt I knew that there was a limit to my movements. I don’t know how else to explain it but as the mental equivalent of standing at the bottom of a steep hill and looking to the summit in that sensation of resignation that yes, you will have to climb the hill (this happens to monsters too. We haven’t any stamina.) As I stood there, looking around with more than just my eyes, I don’t recall thinking in words. I thought in feelings, impressions. I considered the feelings I was encountering- that notion that there were boundaries that had to be obeyed. For example, when I made to follow the coastline- it was obviously impossible in that direction, but what of the other? No? Oh. How nice.
So I did. I picked my way through a very lovely green terrain, until I came closer to the water. From where I was, I had an excellent vantage of what was a harbor. Of course to my eyes at the time, it was simply a busy place bustling with human life. I hid myself away and watched, for a great long while, learning furiously.
There were moving creatures on boats, and moving creatures on the shore. There was a city with high walls, not the highest I have since seen, but at the time quite formidable. A steep rampart made climbing to the foot of the wall a challenge, and several barricades had been constructed to lean against this. Creatures stood on them looking up at the other creatures on the top of the wall, and there was a curious exchange happening. Some shouting, but mostly, a calm conversation. This was my first experience with speech. I don’t rightly know what was being said, but it was clear that the creatures on the barricades wanted something, and the creatures on the wall were telling them to piss off.
On the ground, especially on the water’s edge, there were many creatures simply lying there, unmoved. I decided that I wanted to look at the still ones. So I snuck closer. This was the first time I remember seeing a dead body, and the hunger hit me with such force and sharp need, that I don’t remember much, except that I was on my knees and digging my hands in before I could blink. The body in question was…ripe. It was at least a day or two old, bloated and purplish. Its time in the water had done it no favors, and it had massive blackish splotches on its skin. To me, these seemed odd, but I did not poke at them. I ate what I could. It did not taste all that nice, but it made me less hungry, which was the point. As I ate, I looked back at the city and I watched what was happening. Every so often, a group of creatures would huddle at the wall overlooking the water, and they would toss a dead body over the side.
What an odd thing to do.
I watched the bodies hit the water and slowly sink. Some were wedged between boats. Some rolled in the tide and were knocked about like buoys. It occurred to me then that the creatures on the wall were not eating the meat if they were tossing it over the side. They didn’t eat the dead, and so how odd I was for doing so. Like Adam and Eve having tasted the fruit of the tree of knowledge, I looked up from my meal and knew my nakedness. I stole the clothes. But having no understanding of how to put them on, it all happened in a rather comedic fashion. I removed the clothing with tugs that tore the fabric, and found that when I put my own limbs in, the things hung on me like sacks and stank of death. It didn’t bother me, per say. It was simply a little blinding.
I wandered along the harbor area in my ill-fitted, tangled clothes. I found that the people around the city seemed to avoid me, rather pointedly, but there was no malice in it. They simply glanced my way in expressions of wide eyes and open mouths (what of them had blank faces, as most were wearing cloths over their noses and mouths). I had no idea why they were not hostile to me, in fact they seemed as if they didn’t mind me at all, which was somehow comforting. I was nevertheless keen to stay away from them, but none came any closer than about thirty yards.
Then a curious thing happened. I looked on what I can now describe as an encampment of men. Many bodies were lying on the ground moaning. Some of them were dead, but most were either quite obviously alive and suffering, or were comatose and seemingly presumed dead, as they were unceremoniously dumped in piles. I could hear their hearts, mind you. It seemed obvious to me that most of these things were simply lying there, as if they couldn’t be bothered to move. I did not know about sleep really, but knew I had been on the ground but hours before and so they must also find themselves on the ground occasionally. The ones moaning and groaning were seeping all sorts of liquids, and some of them were splotchy. Their still-ambulating counterparts were paying them no heed. No one even came near them, except me. With one eye to the other men in their shiny bits and padded garments and one eye to the bodies beneath me, I picked my way through. Suddenly, several men stomped up to the edge of my little crop of bodies and plucked one. This one was still alive, as will become quite evident.
Faces averted as best they could, expressions of disgust in place, the men took hold of this comatose body and heaved it up. They carried it down the shore and came abreast of a large wooden…thing. I had looked at the thing before, but it wasn’t moving. I thought it some other construction, like a piece of the city jutting out. It wasn’t. It was a trebuchet – a catapult.
Up went the slumbering sick man, into a little bucket. Men worked at the wheel as the winder went. There were odd clicking sounds and a soft humming to my ear, deep and low. After a long while, someone shouted a word, and instantly, with astounding percussive compression and force, something triggered, the great arm swiveled, I crouched instinctively, and with movement like the wind, the poor- now awake- dying man was hurtling through the air, screaming like a terrified comet.
What the devil? thought I, though not in so many words.
Why should these creatures build such machines? And why would they throw dead or dying counterparts with them? What sort of madness was this? What is the point of hurling a dead animal at someone else?
Then I decided it was best not to come any closer.
I backed out of the bodies and retreated to a small copse of trees. It had been hacked to bits, it seemed, by the groups of creatures stocking along the ramparts and swarming near the ships- pieces of lumber and splinters of wood were everywhere. I sat down and watched in stunned fascination as body after body was hurtled over the city walls, and body after body was retrieved and tossed over the wall into the water. It was all a terribly amusing recycling process and I remember wondering what it could possibly accomplish except to give flightless things a chance at soaring heavenward in their final moments, before being dashed into the water to rinse off their dust. I wondered if the cycle would repeat, or if it was something they only did to fresh bodies.
Eventually, I left the area, but not before eating a few more times.
Much later, I realized the complete meaning behind what I had seen. What I witnessed was a full scale siege – that of the Genoese city of Kaffa. You see at this time, the Tartars of the Golden Horde had allowed this conquered territory to rule itself through commerce and capitalism. Italians had made many monetary investments and purchases in the region, stimulating growth and lining pockets. In a neighboring town, a scuffle broke out between Italians and Tartars, resulting in a Muslim death. The Italians at fault fled to Kaffa, and to the shock of the Tartars, the Genoese refused to let them in. The military showed up and laid the siege…never realizing they had already been infected with the new dread scourge- the Black Plague. When the army began to die off, the commanders made a shocking decision – to hurl the bodies of the plague victims over the walls of the city. The inhabitants tried to hurl the bodies back out, but the plague caught.
Enter me – wearing a dead man’s clothes, looking every inch the modern zombie, wandering the plague victims in vague, goo-covered ambivalence. Those who saw me were probably accustomed to the sight of staggering half-dead mean (that was then the natural course of many diseases), but I dare to guess that some probably thought me some sort of omen. They avoided me because I probably looked like the pale rider. The men of the day, especially the Tartars, were notoriously superstitious.
This artists’ rendering of the siege of Kaffa is inaccurate in most respects, but I thought you might enjoy it, anyway.
Eventually the siege broke and the scant remaining Tartars buggered off. The Italians ran as fast as they could to escape the plague with which they’d been confined. When their ships left port, I snuck aboard. We stopped at a few places. I got off at one. And by a skipping means, traveled my way across the Italian peninsula, and then on to France.
The year of this arrival to France was 1348. The year the Black Death came…in fact, it likely came from the very ship in which I rode. One of the reasons why my memories of Marseilles are not so fond.
This is a very horrifying thing, yes? But to me at the time it was completely ridiculous. I have laughed at the feelings I had that day more than once since then. I laughed again when I read an article written by a specialist in communicable disease that said there was no feasible way that a corpse could spread plague by being flung through the air. Dead bodies don’t carry the plague, parasites do, and parasites leave within an hour of death. And so it is more likely that the Golden Horde brought death-carrying rats and fleas with them, and that these somehow found a way into the city, breaking the siege much faster than the catapulted corpses ever would.
I can still hear that poor man’s yelp as he shot through the air. What a rude awakening. One is utterly spent, aching, feverish, bleeding from orifices, resigned to death, and then whoosh! One is shooting through the air as a cursed missile and one’s final moment is as blunt as the side of a building.
To me, at least, this is very funny.
When I began this series of website entries, it was to demonstrate something of a “unified field theory” of monstrosity, if you will. My reasoning was simple: I am a monster, and if there were other species of hideous man-eaters shuffling over the earth, I would have seen them. For the sake of this experiment, it falls to me to demonstrate that your own mythology, as varied and complex as it is, supports my hypothesis. No monster does better in this capacity than the Boogeyman, and so, in the spirit of this Halloween season, and in celebration of the arrival of my second book, I have decided to pursue that infamous figure shrouded in darkness. My mission takes me from the rooftops to the bowels of the earth.
The Boogeyman is largely undefinable with androgynous leanings and an amorphous appearance, but notable for several key commonalities: he is ubiquitous, terrifying, and born of the shadows. In almost every culture, every country, there is a boogeyman. Spiralling away from Europe into Russia and south to Africa, these divergent stories diverge hardly at all — even their names are closely related linguistically. Variously described as dark, clothed in black, able to blend into the night seamlessly, this monster has one purpose: to torment children.
All the world over, you may goad your little ones with the horrors that could befall them for not eating their vegetables, but you also bless them to protect from such hazards.
There were cases of children vanishing. There were instances of abduction. Long before there were understandings of psychology or criminal analysis, these things were attributed to monsters. And every parent knew that the monster must be invisible to have gotten past their protections.
Every child knows that the monster will find them no matter where they cower and there is no blanket on the planet thick enough to protect them. Sometimes lurking beneath the bed, in the recesses of a closet, or in the corners of rooms by night, this devil invades their dreams. He is just waiting for a moment to gobble them up or spirit them away. The poor dears, heads full of nightmares, go to their beds certain that they have reached the end of their lives.
I think you can see why descriptions of the Boogeyman are never precise. The fear is less tangible now, but in the days of my first memories, death was everywhere, and most children did not live into puberty. The Boogeyman only takes the wicked children, but it is the wicked ones who are most likely to wilfully disregard their parents, or run away into the night to be overcome by the elements or some other horrible calamity. And as you know from reading my short stories, there absolutely were child-predators. The threat was mind-numbingly real, and thus, extremely effective.
But was it all a perfect storm of imagination? Was there ever a real Boogeyman to whom the first instances can be attributed, or is this merely the product of the universality of bad parenting, unseen criminal mischief, and the fear of chaotic reality?
I think not.
In a data set packed with noises beneath beds, knocking on walls, disembodied shadows that shift ominously — all easily explained by heightened awareness and fear — there are a few encounters that speak to me, and some of them come from you, my gentle readers.
Once in a great while, you find a child staring out a window at the man with the sharp smile in their favourite tree. Once in a while, there is the hooded figure on the rooftop next door, looking in as if waiting for something. Once in a great while, a child is saved from drowning by a dark hand. Once in a while, the forest herds a lost little one from its treacherous grasp. Once in a while, the monster with whom they live, turns up dead of a broken neck. Once in a while, the man tracking them vanishes into an orchard and is never seen again.
Once in a great while.
We are dangerous. We are killers, each of us unique. I have never willingly harmed a child outside of war, but I have eaten them. I have my ethics, my feelings, but they are mine alone. I am certain that many of my brethren have spirited your babies away. I am sure that there are many shadowy figures who wait to hear that some little one is nothing but a pain. Perhaps they are salivating in the wings, all too happy to make the baseless threat a reality.
Once in a while, however, a wild child is found.
In the twelfth century, only a few decades after the Norman Conquest of Britain, in the town of Woolpit, two children turned up in a field. They spoke a language no one had ever heard, and were entirely green from head to toe. The young boy was reportedly sickly and died, but the girl acquired English and told her benefactor of a land of eternal twilight. Called St. Martin’s land, its inhabitants were all a fine shade of green. According to this young lady, she and her brother were tending to a flock of animals, when they found a cave and wandered toward the sounds of bells, as if traversing a corridor between worlds.
The accounts that survive are extremely suspect for their vagueness, and modern historians would love to say that whether or not the events actually happened is irrelevant. Some discount it altogether as nothing but folklore, but yet again, they base this assumption only upon the few references to survive the ravages of time. Others believe it must have happened, and that the twilight realm was merely a larger cave, and they wandered out into the sun.
Before you ask, I cannot tell you if these events actually transpired, as this was before my time in England; Indeed it is before the time I remember as my awakening. I can tell you, however, that the story was extremely well-known in my day, and most everyone believed the siblings had been stolen from their beds by a vindictive witch, the fairies, or our friend, the Boogeyman. Compare the tale to Hansel and Gretel, first transcribed by the Brothers Grimm, but predating them. The abandoned little siblings fed a terrible diet of sweets by their cannibalistic captor, kept in the woods until the time was right to make a tasty pie. Everyone knew the Babes in the Wood, and everyone knew that they were lucky to escape.
The girl supposedly lived a normal life above ground, and she never exhibited any magical talents. She married well and was employed. She seemingly never tried to rediscover her colony of green people. And the green people never came looking for their lost children. If it is folklore, I fail to see the point. It could be the delusions of sickly children, but there are entirely too many details for which there is no account. I find it more likely, as odd as it sounds, that it did happen and that there is an explanation for a cloister of people living underground, suffering from chlorosis.
Anyone who has studied feral children knows that they, by definition, lack language. Yet these two spoke a tongue no one, not even their gentleman host, knew— and in those days, England was a cesspit of languages; Anglo-Saxon, Flemish, Briton, Gaelic, Dutch, Norman French. Someone had to have taught them this language. In an era when traveling was fraught with dangers and very expensive, it is doubtful that their ancestors migrated from a prohibitively distant foreign land to start a colony in a subterranean vault.
It is difficult to imagine what sort of person keeps animals in a cave, herds sheep underground. It must needs be someone who never wants to be seen, but eats meat by the pound.
And then again, there is the name of their idyllic sanctuary: St. Martin’s Land. Saint Martin of Tours is the patron saint of alcoholics. If the savage children had no knowledge of faith or English, I wonder how they know to call it that.
There are many explanations for these events, no doubt. It could be a simple story carrying on the ancient trope of the mystical “other” who reveals itself to align with the tainted world of man. It could be that there was a kindly hermit hoarding orphans who had nowhere else to go. It could be that the Boogeyman meant to gobble them up, and had himself quite the collection.
Hell, it could be all three.
Or it could be something else entirely. What that is, I leave to you. Is the Boogeyman real? Who took all the lost children? What peeks out from the treetops as you sleep? Why is it, over all the world, the creature is the same? Is he bad, good, or just terribly complicated?
October is by far and away, my favorite month, because I am a monster. Though I spend most days carefully painted and dressed to blend in, during this season, I am free to be myself. October is the month I celebrate my monster-hood, and so…I would like to propose a competition!
To all you gifted artists, you avid amateurs, you comic contributors, I offer you a challenge: look through the scattered pages of The Creature’s Cookbook or Simon’s Snacks (available only on the Tapas app), and summon up your muses! It will be your task to illustrate my life. You may make use of any medium you wish, and submit as often as you like. Your art will be judged by your peers through “likes”, by the staff at Tapas, and most importantly, by me. The winners – for I dearly hope there will be many – will have their art included in the book or short story from which they drew their inspiration. Your art will be available for all to see, an integral part of my work forevermore. You will be, my gentle readers, published artists.
Think of it as a pairing, of sorts.
This contest can be free to enter. What I mean by “can be” is that many of the chapters are open, but these will, of course, have the most entries. You may open more chapters or stories for the cost of pennies per piece (the total cost of the books do not exceed the amount of purchasing the book at a bookstore). You may also submit a portrait, and I will choose the one I like best to use as a bio-pic for my Tapas author’s profile.
Please submit your illustrations by uploading to the Tapas forum post pertaining to this competition. Vote on the submissions of other artists, and please, as always, be polite!
1. The Work Must Be Original:
You must be the creator of the art that you submit to the competition. Your art must be your own original concept and not a copy of anyone else’s copyrighted material. (If your image infringes upon another’s copyright it will be disqualified.) Upon submitting your work, to this competition, you are solely responsible for any infringement on copyrighted materials.
The artist retains all copyrights to their artwork without exception.
3. Multiple Submission:
There are no restrictions to the number of contests in which the artist participates, nor the number of pieces they may submit, nor the number of prizes they can win.
4. Submission Deadlines:
Artworks may be submitted until midnight Pacific Time on 10/31/2016. No artworks will be accepted past the posted deadline.
Note: It is best if the images submitted are no smaller than 800px X 800px
I cannot wait to see what you produce, my lovely friends!